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Whammer jammer magic dick1/31/2024 Still, McCrory says it's a 50-50 proposition that they may work out the technical kinks before Shawver's Saturday show. "When you're a tiny coffeehouse in Florida, it's even tougher." "Trying to move that much information over the Internet is tough for somebody like Sony," says Infohaus co-owner Nik McCrory. Working with her friends at Infohaus, Shawver still hopes to do what, until now, only major companies like Sony and Microsoft have accomplished: an in-the-moment transmission of a live concert online. but we're just doing this for the love of the music."Īn avid online user since a stint managing a coffeehouse with terminals hooked into the Internet, singer/songwriter Brenda Shawver had hoped to broadcast her CD release party on the World Wide Web _ allowing techno-jockeys from anywhere in the world to tap into her performance.īut technical difficulties may scotch that plan, though she'll still showcase material from her new CD, Road Signs, Saturday at the Infohaus (2502 W Azeele St., Tampa) _ the Internet-accessible coffeehouse that would have hosted her broadcast. "A lot of rock is really centered around money. but it's not about the money now," Magic Dick says. "We're touring in an RV instead of using planes. Instead, he has returned to the sounds that first ignited his love for music, enjoying the thrill of re-creating these classic tunes for new audiences. With everyone from the Eagles to the Doobie Brothers re-forming in the '90s to milk the market once again, some might wonder why Geils and Magic Dick aren't heading down that road again with a new version of their old band.īut Magic Dick, who saw negotiations for just such a reunion fall apart a few years ago when Geils lead singer Peter Wolf backed out, says such a venture is pretty unlikely. "I'm still developing a lot, both as a singer and a player." "That's been the most challenging thing about this gig _ it's like learning a new instrument," he says of his attempts to sing. Geils tune this new combo tackles is the bluesy Magic Dick harmonica showcase Whammer Jammer _ a natural leap for a band that's already featuring the harp player as sole singer and frontman. "Even if they don't know what we do, after a few tunes, it's pretty obvious we're not whipping out Centerfold." "I think we got a good deal of that out of the way on our first tours," he says. Amazingly, Dick says the group doesn't get much calls for old J. Still, the jazzy swing vibe that permeates Bluestime Theme and the Count Basie-style impact of The Jumpin' Blues seem light years removed from the stuff that made them MTV mainstays in the early '80s. I don't draw that much distinction between different styles of music." "I had always been into playing blues and a certain jazz thing with J. To be honest, there are times on Little Car Blues when Magic Dick and Geils sound like they're still learning the more rhythmically complex, melodically demanding style of Chicago blues, though this is the group's second recorded effort.įrom his perspective, Magic Dick says there were few problems in making the transition from hit-making rockers to bluesy jazz players. Filled with covers of tunes made famous by artists such as Louis Armstrong, Marvin Gaye and Etta James, the album works a stripped-down format _ with acoustic bass, drums and jazzy, hollow-body guitar sounds evoking an era long past. One listen to the band's new CD, Little Car Blues, shows what he's talking about. It served as our foundation into getting into rock 'n' roll." "We learned a lot of this stuff together way back in 1960-something. "We've gone back to what our first love is," says Magic Dick, explaining the genesis of their traditional blues band, Bluestime (appearing Sunday at the State Theater, 687 Central Ave., St. Geils Band project in nearly 20 years, the harp player knew what he wanted to play. So when he finally decided to hook up with Geils for their first non-J.
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